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Tapping into topics from the 1950’s and the early 1960’s such as racism, the Middle East, Cuba, Stalinism, the Atomic bomb, and the death of Marilyn Monroe it is understandable why the US government was afraid of this film. The directors and commentators of The Anger, two of the most important opinion makers and intellectuals in post wwII Europe, employ documentary footage from this era and an accompanying commentary, in which they attempt to answer, quite elegantly and poetically, the existential question: why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing film director and poet, Pier Paolo Pasolini and the conservative journalist and film director, Giovanni Guareschi, offer the viewer contrasting analyses of, and prescriptions for modern society. This publication is an exclusive, uncut, restored version obtained from the Cinemateque of Bologna.